In 2008, he also returned to the recording studio to produce Argentine pianist Adrian Iaies’s Vals de la 81st & Columbus, a jazz-tango disc released by Sunnyside, a New York-based label.
His career as a music journalist and critic includes stints as correspondent for The Washington Post (2000-2004), and as staff music critic for The Miami Herald (1993-1999) and The Boston Globe (1988-1993). He has contributed to National Public Radio’s Morning Edition, and several national publications, writing in both English and Spanish, including Down Beat magazine, Sí, Variety, Rhythm Music, LOFT, CD Review, New York Latino, Request, Pulse and eritmo.com. He was also a music consultant for Amazon.com and a visiting scholar in the “Música de las Américas” series, The Smithsonian Associates, Washington, DC.
In 2001, González translated, annotated and expanded Astor Piazzolla: A Memoir (Amadeus Press), the memoirs of the late Argentine New Tango composer, as told to Natalio Gorin.
As a television writer and producer, González won an Emmy and a Gabriel Award for the special “Notes From The Mambo Inn: The Story of Mario Bauzá” (WGBH, Boston, 1991). The following year he was nominated for an Emmy and received a Gold Award from CPB for “En Clave,” (WGBH, Boston, 1992) a special on Latin music hosted by singer Rubén Blades.
Fernando González was born in Buenos Aires, Argentina. A math major at the University of Buenos Aires, he switched to music and studied privately and at the Municipal Conservatory of Buenos Aires. He moved to the United States in 1977 to attend Berklee College of Music where he majored in Composition/Film Music. While in Boston, González also studied with composer and theoretician George Russell at the New England Conservatory. He also studied composition and guitar with Ralph Towner at Naropa Institute, Boulder, CO.
González plays saxophone and flute and is a member of the National Academy of Recording Arts and Sciences and a charter member of the Latin Academy of Recording Arts and Sciences. |